• 16mm film
  • 16mm Aristachrome 400 (10 feet) 16mm $ 8.10 A film for low-light situations. Uses standard E-6 developer. Unperforated. No REMJET backing.
  • 16mm Aristachrome 400 (25 feet) 16mm $ 17.60 A film for low-light situations. Uses standard E-6 developer. Unperforated. No REMJET backing.
  • 16mm Fujichrome MS 100/1000 (10 feet) 16mm $ 10.00 A film for any light situation. Variable film speeds from 100 to 1000.  Uses standard E-6 developer. Unperforated. No REMJET backing.
  • 16mm Fujichrome MS 100/1000 (25 feet) 16mm $ 20.00 A film for any light situation. Variable film speeds from 100 to 1000.  Uses standard E-6 developer. Unperforated. No REMJET backing.
  • 16mm Kodak Ektachrome 7239 (10 feet) 16mm $ 8.04 ISO 160. A fine-grained film for average situations. Uses standard E-6 developer. Single perforated. No REMJET backing.
  • 16mm Kodak Ektachrome 7239 (25 feet) 16mm $ 17.45 ISO 160. A fine-grained film for average situations. Uses standard E-6 developer. Single perforated. No REMJET backing.
  • 16mm Kodak Ektachrome Infrared (5 feet) 16mm $ 25.00 ISO varies with filtration. Uses standard E-6 developer. Unperforated. No REMJET backing. Camera must be loaded in complete darkness.
  • 16mm Agfacolor Optima 100 (10 feet) 16mm $ 7.56 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm Agfacolor Optima 100 (25 feet) 16mm $ 16.25 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm Agfacolor Optima 400 (10 feet) 16mm $ 7.56 A film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm Agfacolor Optima 400 (25 feet) 16mm $ 16.25 A film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm Aristacolor 100 (10 feet) 16mm $ 6.60 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm Aristacolor 100 (25 feet) 16mm $ 13.85 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm Aristacolor 400 (10 feet) 16mm $ 7.26 A film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm Aristacolor 400 (25 feet) 16mm $ 15.50 A film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm Konicacolor Impresa 50 (10 feet) 16mm $ 5.88 A super-fine-grain film for bright conditions. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm Konicacolor Impresa 50 (25 feet) 16mm $ 12.05 A super-fine-grain film for bright conditions. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm Konicacolor VX100 (10 feet) 16mm $ 5.64 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm Konicacolor VX100 (25 feet) 16mm $ 11.45 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm Kodak EXR 50D 7245 (10 feet) 16mm $ 8.52 ISO 50. A super-fine-grain film for bright conditions. Uses standard C-41 developer. Double perforated. Has a REMJET backing.
  • 16mm Kodak EXR 50D 7245 (25 feet) 16mm $ 18.65 ISO 50. A super-fine-grain film for bright conditions. Uses standard C-41 developer. Double perforated. Has a REMJET backing.
  • 16mm Fuji Super G 100 (10 feet) 16mm $ 5.76 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm Fuji Super G 100 (25 feet) 16mm $ 11.75 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm Kodak Plus-X Reversal (10 feet) 16mm $ 5.88 ISO 50. A fine-grained slide film for average situations. Double perforated. No REMJET backing.
  • 16mm Kodak Plus-X Reversal (25 feet) 16mm $ 12.05 ISO 50. A fine-grained slide film for average situations. Double perforated. No REMJET backing.
  • 16mm Ilford Delta 400 (10 feet) 16mm $ 7.26 ISO 400. A high-speed film for low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm Ilford Delta 400 (25 feet) 16mm $ 15.50 ISO 400. A high-speed film for low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm Ilford Delta 100 (10 feet) 16mm $ 7.14 ISO 100. A fine-grained film for average situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm Ilford Delta 100 (25 feet) 16mm $ 15.20 ISO 100. A fine-grained film for average situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm Ilford XP2 400 (10 feet) 16mm $ 7.26 ISO 400. A high-speed film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm Ilford XP2 400 (25 feet) 16mm $ 15.50 ISO 400. A high-speed film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm Kodak TMAX 3200 (10 feet) 16mm $ 10.32 A super-high-speed film for very low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm Kodak TMAX 3200 (25 feet) 16mm $ 23.15 A super-high-speed film for very low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm Kodak Imagelink FS (10 feet) 16mm $ 5.76 ISO 50. A fine-grained microfilm for average situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm Kodak Imagelink FS (25 feet) 16mm $ 11.75 ISO 50. A fine-grained microfilm for average situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm Kodak 2484 (10 feet) 16mm $ 6.96 ISO 800. A super-high-speed film for very low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm Kodak 2484 (25 feet) 16mm $ 14.75 ISO 800. A super-high-speed film for very low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm Fuji HS-U (10 feet) 16mm $ 5.76 ISO 50. A fine-grained microfilm for average situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm Fuji HS-U (25 feet) 16mm $ 11.75 ISO 50. A fine-grained microfilm for average situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm Fuji HR II (10 feet) 16mm $ 5.76 ISO 20. A super-fine-grained microfilm for bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm Fuji HR II (25 feet) 16mm $ 11.75 ISO 20. A super-fine-grained microfilm for bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm Fuji SUPER HR (10 feet) 16mm $ 5.76 ISO 20. A super-fine-grained microfilm for bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm Fuji SUPER HR (25 feet) 16mm $ 11.75 ISO 20. A super-fine-grained microfilm for bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm Kodak High Speed Infrared (10 feet) 16mm $ 9.36 ISO 50. An infrared film best Usesd with a 25A filter. Uses any standard B&W developer. Unperforated. No REMJET backing. Camera must be loaded in complete darkness.
  • 16mm Kodak High Speed Infrared (25 feet) 16mm $ 20.75 ISO 50. An infrared film best Usesd with a 25A filter. Uses any standard B&W developer. Unperforated. No REMJET backing. Camera must be loaded in complete darkness.

COPYRIGHT @ 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002, 2003, 2004 by Joe McGloin. All Rights Reserved.