• 16mm cassettes for KIEV 30 and KIEV 303 cameras -- these are NEW, genuine KIEV cassettes with cases. You choose the type of film that you want.
  • 16mm cassette reloaded with Aristachrome 400 (one cassette) 16mm $ 7.35 A film for low-light situations. Uses standard E-6 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Aristachrome 400 (five cassettes) 16mm $ 33.73 A film for low-light situations. Uses standard E-6 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Fujichrome MS 100/1000 (one cassette) 16mm $ 8.00 A film for any light situation. Variable film speeds from 100 to 1000.  Uses standard E-6 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Fujichrome MS 100/1000 (five cassettes) 16mm $ 35.00 A film for any light situation. Variable film speeds from 100 to 1000.  Uses standard E-6 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak Ektachrome 7239 (one cassette) 16mm $ 7.34 ISO 160. A fine-grained film for average situations. Uses standard E-6 developer. Single perforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak Ektachrome 7239 (five cassettes) 16mm $ 33.63 ISO 160. A fine-grained film for average situations. Uses standard E-6 developer. Single perforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak Ektachrome Infrared (one cassette) 16mm $ 15.00 ISO varies with filtration. Uses standard E-6 developer. Unperforated. No REMJET backing. Camera must be loaded in complete darkness.
  • 16mm cassette reloaded with Aristacolor 100 (one cassette) 16mm $ 7.10 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Aristacolor 100 (five cassettes) 16mm $ 31.23 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Aristacolor 400 (one cassette) 16mm $ 7.21 A film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Aristacolor 400 (five cassettes) 16mm $ 32.33 A film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Konicacolor Impresa 50 (one cassette) 16mm $ 6.98 A super-fine-grain film for bright conditions. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Konicacolor Impresa 50 (five cassettes) 16mm $ 30.03 A super-fine-grain film for bright conditions. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Konicacolor VX100 (one cassette) 16mm $ 6.94 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Konicacolor VX100 (five cassettes) 16mm $ 29.63 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak EXR 50D 7245 (one cassette) 16mm $ 7.42 ISO 50. A super-fine-grain film for bright conditions. Uses standard C-41 developer. Double perforated. Has a REMJET backing.
  • 16mm cassette reloaded with Kodak EXR 50D 7245 (five cassettes) 16mm $ 34.43 ISO 50. A super-fine-grain film for bright conditions. Uses standard C-41 developer. Double perforated. Has a REMJET backing.
  • 16mm cassette reloaded with Fuji Super G 100 (one cassette) 16mm $ 6.96 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Fuji Super G 100 (five cassettes) 16mm $ 29.83 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak Plus-X Reversal (one cassette) 16mm $ 6.98 ISO 50. A fine-grained slide film for average situations. Double perforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak Plus-X Reversal (five cassettes) 16mm $ 30.03 ISO 50. A fine-grained slide film for average situations. Double perforated. No REMJET backing.
  • 16mm cassette reloaded with Ilford Delta 400 (one cassette) 16mm $ 7.21 ISO 400. A high-speed film for low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Ilford Delta 400 (five cassettes) 16mm $ 32.33 ISO 400. A high-speed film for low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Ilford Delta 100 (one cassette) 16mm $ 7.19 ISO 100. A fine-grained film for average situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Ilford Delta 100 (five cassettes) 16mm $ 32.13 ISO 100. A fine-grained film for average situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Ilford XP2 400 (one cassette) 16mm $ 7.21 ISO 400. A high-speed film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Ilford XP2 400 (five cassettes) 16mm $ 32.33 ISO 400. A high-speed film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak TMAX 3200 (one cassette) 16mm $ 7.72 A super-high-speed film for very low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak TMAX 3200 (five cassettes) 16mm $ 37.43 A super-high-speed film for very low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak Imagelink FS (one cassette) 16mm $ 6.96 ISO 50. A fine-grained microfilm for average situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak Imagelink FS (five cassettes) 16mm $ 29.83 ISO 50. A fine-grained microfilm for average situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak 2484 (one cassette) 16mm $ 7.16 ISO 800. A super-high-speed film for very low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak 2484 (five cassettes) 16mm $ 31.83 ISO 800. A super-high-speed film for very low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Fuji HS-U (one cassette) 16mm $ 6.96 ISO 50. A fine-grained microfilm for average situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Fuji HS-U (five cassettes) 16mm $ 29.83 ISO 50. A fine-grained microfilm for average situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Fuji HR II (one cassette) 16mm $ 9.84 ISO 20. A super-fine-grained microfilm for bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Fuji HR II (five cassettes) 16mm $ 29.83 ISO 20. A super-fine-grained microfilm for bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Fuji SUPER HR (one cassette) 16mm $ 9.84 ISO 20. A super-fine-grained microfilm for bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Fuji SUPER HR (five cassettes) 16mm $ 29.83 ISO 20. A super-fine-grained microfilm for bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak High Speed Infrared (one cassette) 16mm $ 7.56 ISO 50. An infrared film best Usesd with a 25A filter. Uses any standard B&W developer. Unperforated. No REMJET backing. Camera must be loaded in complete darkness.
  • 16mm cassette reloaded with Kodak High Speed Infrared (five cassettes) 16mm $ 35.83 ISO 50. An infrared film best Usesd with a 25A filter. Uses any standard B&W developer. Unperforated. No REMJET backing. Camera must be loaded in complete darkness.
    
• 16mm cassette for ANY MINOLTA , BERA or KIEV camera. These are also good in the Yashica EE 16 camera -- these are NEW, genuine KIEV cassettes with cases. You choose the type of film that you want.
  • 16mm cassette reloaded with Aristachrome 400 (one cassette) 16mm $ 8.35 A film for low-light situations. Uses standard E-6 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Aristachrome 400 (five cassettes) 16mm $ 38.73 A film for low-light situations. Uses standard E-6 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Fujichrome MS 100/1000 (one cassette) 16mm $ 9.00 A film for any light situation. Variable film speeds from 100 to 1000.  Uses standard E-6 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Fujichrome MS 100/1000 (five cassettes) 16mm $ 38.00 A film for any light situation. Variable film speeds from 100 to 1000.  Uses standard E-6 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak Ektachrome 7239 (one cassette) 16mm $ 8.34 ISO 160. A fine-grained film for average situations. Uses standard E-6 developer. Single perforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak Ektachrome 7239 (five cassettes) 16mm $ 38.63 ISO 160. A fine-grained film for average situations. Uses standard E-6 developer. Single perforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak Ektachrome Infrared (one cassette) 16mm $ 18.00 ISO varies with filtration. Uses standard E-6 developer. Unperforated. No REMJET backing. Camera must be loaded in complete darkness.
  • 16mm cassette reloaded with Aristacolor 100 (one cassette) 16mm $ 8.10 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Aristacolor 100 (five cassettes) 16mm $ 36.23 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Aristacolor 400 (one cassette) 16mm $ 8.21 A film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Aristacolor 400 (five cassettes) 16mm $ 37.33 A film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Konicacolor Impresa 50 (one cassette) 16mm $ 7.98 A super-fine-grain film for bright conditions. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Konicacolor Impresa 50 (five cassettes) 16mm $ 35.03 A super-fine-grain film for bright conditions. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Konicacolor VX100 (one cassette) 16mm $ 7.94 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Konicacolor VX100 (five cassettes) 16mm $ 34.63 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak EXR 50D 7245 (one cassette) 16mm $ 8.42 ISO 50. A super-fine-grain film for bright conditions. Uses standard C-41 developer. Double perforated. Has a REMJET backing.
  • 16mm cassette reloaded with Kodak EXR 50D 7245 (five cassettes) 16mm $ 39.43 ISO 50. A super-fine-grain film for bright conditions. Uses standard C-41 developer. Double perforated. Has a REMJET backing.
  • 16mm cassette reloaded with Fuji Super G 100 (one cassette) 16mm $ 7.96 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Fuji Super G 100 (five cassettes) 16mm $ 34.83 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak Plus-X Reversal (one cassette) 16mm $ 7.98 ISO 50. A fine-grained slide film for average situations. Double perforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak Plus-X Reversal (five cassettes) 16mm $ 35.03 ISO 50. A fine-grained slide film for average situations. Double perforated. No REMJET backing.
  • 16mm cassette reloaded with Ilford Delta 400 (one cassette) 16mm $ 8.21 ISO 400. A high-speed film for low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Ilford Delta 400 (five cassettes) 16mm $ 37.33 ISO 400. A high-speed film for low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Ilford Delta 100 (one cassette) 16mm $ 8.19 ISO 100. A fine-grained film for average situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Ilford Delta 100 (five cassettes) 16mm $ 37.13 ISO 100. A fine-grained film for average situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Ilford XP2 400 (one cassette) 16mm $ 8.21 ISO 400. A high-speed film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Ilford XP2 400 (five cassettes) 16mm $ 37.33 ISO 400. A high-speed film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak TMAX 3200 (one cassette) 16mm $ 8.72 A super-high-speed film for very low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak TMAX 3200 (five cassettes) 16mm $ 41.43 A super-high-speed film for very low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak Imagelink FS (one cassette) 16mm $ 7.96 ISO 50. A fine-grained microfilm for average situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak Imagelink FS (five cassettes) 16mm $ 33.83 ISO 50. A fine-grained microfilm for average situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak 2484 (one cassette) 16mm $ 8.16 ISO 800. A super-high-speed film for very low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak 2484 (five cassettes) 16mm $ 35.83 ISO 800. A super-high-speed film for very low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Fuji HS-U (one cassette) 16mm $ 7.96 ISO 50. A fine-grained microfilm for average situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Fuji HS-U (five cassettes) 16mm $ 34.83 ISO 50. A fine-grained microfilm for average situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Fuji HR II (one cassette) 16mm $ 10.84 ISO 20. A super-fine-grained microfilm for bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Fuji HR II (five cassettes) 16mm $ 34.83 ISO 20. A super-fine-grained microfilm for bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Fuji SUPER HR (one cassette) 16mm $ 10.84 ISO 20. A super-fine-grained microfilm for bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Fuji SUPER HR (five cassettes) 16mm $ 34.83 ISO 20. A super-fine-grained microfilm for bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm cassette reloaded with Kodak High Speed Infrared (one cassette) 16mm $ 8.56 ISO 50. An infrared film best Usesd with a 25A filter. Uses any standard B&W developer. Unperforated. No REMJET backing. Camera must be loaded in complete darkness.
  • 16mm cassette reloaded with Kodak High Speed Infrared (five cassettes) 16mm $ 40.83 ISO 50. An infrared film best Usesd with a 25A filter. Uses any standard B&W developer. Unperforated. No REMJET backing. Camera must be loaded in complete darkness.

COPYRIGHT @ 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008 by Joe McGloin. All Rights Reserved.