- 16mm cassettes for KIEV 30 and KIEV 303 cameras -- these are NEW, genuine KIEV cassettes with cases. You choose
the type of film that you want.
- 16mm cassette reloaded with Aristachrome 400 (one cassette) 16mm $ 7.35 A film for low-light situations. Uses
standard E-6 developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Aristachrome 400 (five cassettes) 16mm $ 33.73 A film for low-light situations.
Uses standard E-6 developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Fujichrome MS 100/1000 (one cassette) 16mm $ 8.00 A film for any light situation.
Variable film speeds from 100 to 1000. Uses standard E-6 developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Fujichrome MS 100/1000 (five cassettes) 16mm $ 35.00 A film for any light situation.
Variable film speeds from 100 to 1000. Uses standard E-6 developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Kodak Ektachrome 7239 (one cassette) 16mm $ 7.34 ISO 160. A fine-grained film for
average situations. Uses standard E-6 developer. Single perforated. No REMJET backing.
- 16mm cassette reloaded with Kodak Ektachrome 7239 (five cassettes) 16mm $ 33.63 ISO 160. A fine-grained film
for average situations. Uses standard E-6 developer. Single perforated. No REMJET backing.
- 16mm cassette reloaded with Aristacolor 100 (one cassette) 16mm $ 7.10 A fine-grained film for average situations.
Uses standard C-41 developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Aristacolor 100 (five cassettes) 16mm $ 31.23 A fine-grained film for average situations.
Uses standard C-41 developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Aristacolor 400 (one cassette) 16mm $ 7.21 A film for low-light situations. Uses
standard C-41 developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Aristacolor 400 (five cassettes) 16mm $ 32.33 A film for low-light situations.
Uses standard C-41 developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Konicacolor Impresa 50 (one cassette) 16mm $ 6.98 A super-fine-grain film for bright
conditions. Uses standard C-41 developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Konicacolor Impresa 50 (five cassettes) 16mm $ 30.03 A super-fine-grain film for
bright conditions. Uses standard C-41 developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Kodak EXR 50D 7245 (one cassette) 16mm $ 7.42 ISO 50. A super-fine-grain film for
bright conditions. Uses standard C-41 developer. Double perforated. Has a REMJET backing.
- 16mm cassette reloaded with Kodak EXR 50D 7245 (five cassettes) 16mm $ 34.43 ISO 50. A super-fine-grain film
for bright conditions. Uses standard C-41 developer. Double perforated. Has a REMJET backing.
- 16mm cassette reloaded with Kodak Plus-X Reversal (one cassette) 16mm $ 6.98 ISO 50. A fine-grained slide film
for average situations. Double perforated. No REMJET backing.
- 16mm cassette reloaded with Kodak Plus-X Reversal (five cassettes) 16mm $ 30.03 ISO 50. A fine-grained slide
film for average situations. Double perforated. No REMJET backing.
- 16mm cassette reloaded with Ilford Delta 400 (one cassette) 16mm $ 7.21 ISO 400. A high-speed film for low-light
situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Ilford Delta 400 (five cassettes) 16mm $ 32.33 ISO 400. A high-speed film for low-light
situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Ilford Delta 100 (one cassette) 16mm $ 7.19 ISO 100. A fine-grained film for average
situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Ilford Delta 100 (five cassettes) 16mm $ 32.13 ISO 100. A fine-grained film for
average situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Ilford XP2 400 (one cassette) 16mm $ 7.21 ISO 400. A high-speed film for low-light
situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Ilford XP2 400 (five cassettes) 16mm $ 32.33 ISO 400. A high-speed film for low-light
situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Kodak TMAX 3200 (one cassette) 16mm $ 7.72 A super-high-speed film for very low-light
situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Kodak TMAX 3200 (five cassettes) 16mm $ 37.43 A super-high-speed film for very
low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Kodak Imagelink FS (one cassette) 16mm $ 6.96 ISO 50. A fine-grained microfilm
for average situations. Uses a low contrast developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Kodak Imagelink FS (five cassettes) 16mm $ 29.83 ISO 50. A fine-grained microfilm
for average situations. Uses a low contrast developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Kodak 2484 (one cassette) 16mm $ 7.16 ISO 800. A super-high-speed film for very
low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Kodak 2484 (five cassettes) 16mm $ 31.83 ISO 800. A super-high-speed film for very
low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Fuji HS-U (one cassette) 16mm $ 6.96 ISO 50. A fine-grained microfilm for average
situations. Uses a low contrast developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Fuji HS-U (five cassettes) 16mm $ 29.83 ISO 50. A fine-grained microfilm for average
situations. Uses a low contrast developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Fuji HR II (one cassette) 16mm $ 9.84 ISO 20. A super-fine-grained microfilm for
bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Fuji HR II (five cassettes) 16mm $ 29.83 ISO 20. A super-fine-grained microfilm
for bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Fuji SUPER HR (one cassette) 16mm $ 9.84 ISO 20. A super-fine-grained microfilm
for bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Fuji SUPER HR (five cassettes) 16mm $ 29.83 ISO 20. A super-fine-grained microfilm
for bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.
- 16mm cassette reloaded with Kodak High Speed Infrared (one cassette) 16mm $ 7.56 ISO 50. An infrared film best
Usesd with a 25A filter. Uses any standard B&W developer. Unperforated. No REMJET backing. Camera must be loaded
in complete darkness.
- 16mm cassette reloaded with Kodak High Speed Infrared (five cassettes) 16mm $ 35.83 ISO 50. An infrared film
best Usesd with a 25A filter. Uses any standard B&W developer. Unperforated. No REMJET backing. Camera must
be loaded in complete darkness.
COPYRIGHT @ 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008 by Joe McGloin. All Rights Reserved.